"There was no place else to go with the progressive, nutty, sideways side of Metallica, and I’m so proud of the fact that, in some way, that album is kind of the epitome of that progressive side of us up through the ’80s..."
The video for Metallica's classic "One" uses images and monologues from the 1971 movie "Johnny Got His Gun"
The most immediately noticeable aspect of ...And Justice for All isn't Metallica's still-growing compositional sophistication or the apocalyptic lyrical portrait of a society in decay. It's the weird, bone-dry production. The guitars buzz thinly, the drums click more than pound, and Jason Newsted's bass is nearly inaudible. It's a shame that the cold, flat sound obscures some of the sonic details, because ...And Justice for All is Metallica's most complex, ambitious work; every song is an expanded suite, with only two of the nine tracks clocking in at under six minutes. It takes a while to sink in, but given time, ...And Justice for All reveals some of Metallica's best material. It also reveals the band's determination to pull out all the compositional stops, throwing in extra sections, odd-numbered time signatures, and dense webs of guitar arpeggios and harmonized leads. At times, it seems like they're doing it simply because they can; parts of the album lack direction and probably should have been trimmed for momentum's sake. Pacing-wise, the album again loosely follows the blueprint of Ride the Lightning, though not as closely as Master of Puppets. This time around, the fourth song - once again a ballad with a thrashy chorus and outro - gave the band one of the unlikeliest Top 40 singles in history; "One" was an instant metal classic, based on Dalton Trumbo's antiwar novel Johnny Got His Gun and climaxing with a pulverizing machine-gun imitation. As a whole, opinions on ...And Justice for All remain somewhat divided: some think it's a slightly flawed masterpiece and the pinnacle of Metallica's progressive years; others see it as bloated and overambitious. Either interpretation can be readily supported, but the band had clearly taken this direction as far as it could. The difficulty of reproducing these songs in concert eventually convinced Metallica that it was time for an overhaul.
To me, music is the most enjoyable aspect of art and I believe that although everyone perceives it differently, it cannot be evaluated with subjective criteria.
There are albums that I consider masterpieces yet in the hands of someonewho hasn’t yet acquired the requisite understanding to appreciate them, its intolerable noises. Plus,the music industry seems to endorse amass culture that transformed music from a way of entertainment (for lack of a better term) to sterilized amusement, making the number of inexperienced ears grow bigger day by day.
Nevertheless, music albums act as objective aesthetic standards whose purpose is to express the emotions and/or thoughts of the artist, to embody beauty and toinduce a catharsis in the listener. By doing so, their music enters our lives, our souls; We dance, drive, argue, laugh, cry and make love to albums; On first listening they unfold as books and movies do, each track carrying us further into unknown territory, past terrifying peaks and pools of calm. As times passes by, we hear them hundreds of times and we absorb their licks and chords by osmosis until we find ourselves singing and air-guitaring along with the music, even when we are only hearing it in our heads.
Personally, It's no exaggerationto say thatmusic has a huge impact on every aspect of my life. As a child, anything I liked was mine and I could appreciate the world through it. Music taught me a lot about every other art form, not as a surrogate, but just as a pathway. I studied the work of Dylan Thomas after listening to Bob Dylan, I became familiar with Henry David Thoreau via Pink Floyd, I came to admire Mati Klarwein's visionary paintings from Miles Davis' Bitches Brew, I began reading Huxley's stuff after listening to The Doors and I became accustomed to many African American Community issues from Public Enemy. It seemed to me that there was always something new to learn, some reference hidden behind album covers, lyrics or song titles. Something helped create those sounds that intrigued me and I happily looked that up. To make a long story short, I discovered a profound love into digging up the stories, the trivia, thecultural references, the recording techniques and the resemblances between music trends and other arts such as literature, poetry, cinema and anything else that catches my fancy.
DJ Shadow once said that “When I sample something, it's because there's something ingenious about it And if it isn't the group as a whole, it's that song. Or, even if it isn't the song as a whole, it's a genius moment, or an accident or something that makes it just utterly unique to the other trillions of hours of records that I've plowed through”. Similarly, whenever I come across something I perceive as ingenious- regardless of genre, I post it here: Classic Rock, Hard Rock, Psychedelic, Trip-Hop, Jazz, Drum & Bass, Hip-Hop, Punk, Reggae, Dub, selected Videos, Documentaries and many more. After all, all music genres connect with one another.
Countless Blues and R&B tracks are sampled at a regural basis from Hip-Hop artists to achieve higher levels of expression, the source of which comes from Dub music and Jamaican toasters who were chanting using improvised lyrics over a rhythm or beat. Pioneers like DJ Kool Herc carried that sound into the streets of Bronx creating Hip-Hop while Jamaican rudeboys inspired the lower-class youth in Britain to create the Punkmovement. The Clash wrote music whose initial aggression masked a sophistication that that would soon make the term "Punk" seem laughably misplaced as they assimilated Hip-Hop and were grappling with Dub and Reggae, making their sound incredibly fresh. Furthermore, Dub features like sub-bass, skittering and jittery drums (which would later be termed "2-step"), distortive echo and reverberation effects, along with other soundsystem techniques went on to form Electronica, Jungle, Garage, and eventually Dubstep.
And of course Rock has its roots on the Blues. The Blues were born in the North Mississippi Delta following the Civil War. Influenced by African Roots, field hollers, ballads, church music and rhythmic dance tunes called jump-ups evolved into a music for a singer who would engage in call-and-response with his guitar. Artists such as Robert Johnson - whose sound is critically recognized as the culmination of the Delta Blues tradition, have strongly influenced almost all popular music including Jazz, Country, and Rock and Roll and continue to help shape music worldwide. When the Blues migrated to Chicago and Detroit- during the later forties and early fifties, it became electrified. Muddy Waters, Willie Dixon, John Lee Hooker, Howlin' Wolf, and Elmore James among others, played what was basically Mississippi Delta Blues, backed by bass, drums, piano and occasionally harmonica, and began scoring national hits with Blues songs. Many of Johnson's compositions by now had become electric Blues standards.
In the UK artists such as Eric Clapton were intrigued by the Chicago style Blues and by copying its intensity created a whole new way of playing that dominated the 60's and 70's. Acts like Cream, Free, Black Sabbath, The Jimi Hendrix Experience and countless more basically played an updated, energized version of the Blues. The "British ambassadors" Eric Clapton, Jeff Beckand Jimmy Pagewere major Delta Blues fans, so does Angus Young who sees himself as "a Blues guitarist playing Rock & Roll". Gang Starr's Guru has collaborated with numerous Jazz artists whereas Miles Davis experimented with Hip-Hop oriented sounds before his death at age 65. John Densmore loves Jazz,so does Charlie Watts. The Housemartins were an english pop band yet FatBoy Slimevolved to a Big Beat DJ. In 2003, DJ Muggs recorded an Electronica record, proving that he is not limited to his usual Cypress Hill sounds. Ritchie Blackmore currently plays Folk music - whose trademark representative, Bob Dylan admires Rap artists such Kurtis Blow and Run-DMC.
Now, although it is obvious that music classification is wrong, there are obviously separate categories of genres tagged appropriately in this site. However, you should try to broaden your search to find more stuff you like. All in all, links found here are provided solely for cultural purposes. In order to have an ultimate musical experience you need excellent music quality that mp3s can't deliver, and quality artwork as well. So please buy the original record and support true artists that deserve to be heard! If you are an artist that wants to be indexed in this site, contact me. Also, bookmark this site or follow via Google and try to comment back, it would be nice for this site to evolve into a quality music community! Enjoy and let the music play!
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